Nowadays, Beyoncé is one of my favorite artists. One of the reasons I like to listen to Beyoncé’s music is because she has such a diverse style in her albums. You can find various music genres come back in her music, like R&B, soul, (dance)pop, hiphop, and funk. So far she has produced the following albums, among others:
On extravagant moments I like to listen to 4, if I want to listen to old pop classics like Halo, I put on I Am Sacha Fierce, and when I’m not feeling well I listen to Lemonade for a boost of self-confidence and some great hiphop-beats. Because I like Beyoncé’s diversity in styles and genres between and in her albums, I will research with the SpotifyR features how her music has developed over the seven albums I’ve mentioned above. I personally notice a number of differences between her albums, for example that her newer albums contain less acoustic songs and that the overall vibe is less positive. Therefore, I’m going to research the acousticness and valence of her albums. I’m expecting them to have shifted downwards after the release of her album Beyoncé, because this album is known for having a different style compared to Beyoncé’s earlier albums. In addition, I’m interested in the danceability, energy, and speechiness of her albums. However, I think these features are very high for all her albums, and that no major differences will be seen. Let’s see if this assumption is correct!
Furthermore, I would like to dive deeper in Beyoncé’s work by visualizing the specific key changes in the song Love On Top, since this song is well known for having “definitively the greatest key changes in all pop music”. Following this I am also curious in the key variation of Beyoncé’s songs and albums, so I will take a look at that as well.
In this chromagram, the key changes/modulations of Love On Top (which I explained in the self-similarity matrix) are shown more clearly. As you can see, after 180 seconds the song switches from C major to Db major, D major, Eb major, and lastly to E major.